BWV 240 – Sanctus in G major (spurious, unknown composer).BWV 239 – Sanctus in D minor (based on the first section of the Gloria of Antonio Caldara's Missa Providentiae).BWV 233a – Kyrie "Christe, du Lamm Gottes" in F major (early version of Kyrie from BWV 233).BWV 232 III, early version – Sanctus for six vocal parts (1724).BWV 232 II, early version – Credo in G major (1748–49?).BWV 191 – Cantata Gloria in excelsis Deo.BWV 232 I, early version – Missa in B minor for the Dresden court (1733), re-used as part I of the Mass in B minor.See also: List of compositions by Johann Sebastian Bach § BWV Chapter 3, and Bach's church music in Latin Mass with all usual sections Such compositions or movements usually have a Bach Digital Work (BDW) page at the website. BWV 11, published as a cantata in the 19th century, added to the group as an oratorio).Īlso various items in the BWV Anhang (BWV Anh., annex to the BWV), or even unmentioned in the BWV (BWV deest, lacking a BWV number) are associated with this group, for instance the motet Der Gerechte kömmt um, BCĬ 8, arranged, probably by Bach, from the Tristis est anima mea motet attributed to Johann Kuhnau. Tilge, Höchster, meine Sünden, BWV 1083, Bach's adaptation of Pergolesi's Stabat Mater), and regroup some compositions that were formerly associated with other genres in the masses, passions and oratorios group (e.g. In the BWV, as in Series II of the NBA, the group thus also includes Bach's Magnificat and separate mass movements.įurther the second series of the NBA and/or the 1998 updated edition of the BWV (BWV 2a) group some new additions to the BWV catalogue with the masses, passions and oratorios (e.g. Chapter 4: Passionen, Oratorien (Passions, Oratorios), original range: BWV 244–249.Chapter 3: Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), original range: BWV 232–243.In the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions) masses, passions and oratorios refers to two chapters: Petzold always signed his name as Pezold.Masses, Passions, Oratorios is the subject of the second series of the Neue Bach-Ausgabe (NBA, New Bach Edition), a publication of Johann Sebastian Bach's music from 1954 to 2007. Petzold's authorship was only established in the 1970s. One of these minuets, the Minuet in G major, achieved wide recognition, but for centuries was attributed to Johann Sebastian Bach. He is best remembered for a pair of minuets that were copied into the 1725 Notebook for Anna Magdalena Bach, compiled by Anna Magdalena Bach and her husband Johann Sebastian Bach. However, only a few of Petzold's pieces are extant today. Johann Mattheson and Ernst Ludwig Gerber both praised his skills, referring to him as "one of the most famous organists" and "one of the most pleasant church composers of the time", respectively. As is well known, Wilhelm Friedemann Bach was appointed in Petzold's place, while the Italian composer Giovanni Alberto Ristori became the court organist.Ĭontemporaries held Petzold in high regard. The exact date of Petzold's death was given by the Dresden court musician Johann Samuel Kaÿser, who on petitioned for Petzold's position as organist in the St. His cause of death was recorded in the Dresden Kirchenwochenzettel as "Steckfluß" (choking rheum). Petzold died on and was buried three days later. Sophia, and he performed a similar task at Rötha, near Leipzig, where another Silbermann organ was built. In 1720 he wrote a piece for the consecration of the new Silbermann organ at St. He led an active musical life, giving concert tours that took him as far as Paris (1714) and Venice (1716). Sophia ( Sophienkirche) in Dresden, and in 1709 he became court chamber composer and organist. He was born in Weißig near Königstein in 1677 the exact date of birth is unknown.įrom 1703 Petzold worked as an organist at St. The sprightly melody was used in the 1965 pop music hit " A Lover's Concerto" by the American group The Toys. It was established in the 1970s that the famous Minuet in G major, previously attributed to Johann Sebastian Bach, was in fact the work of Petzold. He was active primarily in Dresden, and achieved a high reputation during his lifetime, but his surviving works are few. Christian Petzold (1677 – 1733) was a German composer and organist.
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